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Ballerinas Twirl in the Video for Los Angeles Post-Punk Artist Indiana Bradley’s Luminous New Single “Silent Moon”
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It is a quiet devastation, a weight that presses without end. The realization unfolds not in a sharp moment but in the slow unraveling of a thread you didn’t know was loose. Love—once warm, once certain—cools into something foreign, alien, unrecognizable. You replay the signs you missed, the small silences that stretched too long, the glances that turned away too quickly. Guilt gathers in the hollows, in the spaces where connection once thrived. It whispers that you failed, that your hands let slip what was fragile but vital.
Yet, what cuts deepest is the impossibility of return. No apology, no plea, no act can reignite what has dimmed. You are left clinging to a shape that is now hollow, a memory with no future. And in that space—where love once lived—there blooms a quiet self-loathing, a relentless ache that gnaws in its absence.
Los Angeles artist Indiana Bradley pulls raw heartache into a storm of sound with Silent Moon, an alt-rock eruption that strikes like a confession wrapped in fire. Bradley’s bassline booms, relentless and unrepentant, as he pours anguish into the cracks of a love gone dry, grappling with the weight of falling out of its once-sacred spell. Drawing shades of Nick Cave’s smolder, The Cure’s wistfulness, and Joy Division’s brooding bite, Bradley channels despair into defiance. This is no serenade—it’s the bitter farewell with a searing guitar solo, a scorched ode to the loss of love and the pain of its unraveling. With every note, he lays bare the burden of guilt and the fractured beauty of truth, forging a sound that burns brightly, refusing to flinch from the smouldering wreckage left behind.
“Unlike many songs I write, I actually know where Silent Moon comes from and it follows a somewhat cohesive narrative,” Bradley explains. “Silent Moon is inspired by a feeling of extreme guilt to the point of shame when recognizing with full reflective honesty that you’re deeply involved with a partner romantically who loves you and you do not love them. In fact you resent them for occupying your time – which is simply twisted and cruel. Is this the kind of person you are? This realization sends one vaulting to the ocean floor cycling through the guilt: When did you know this? Why did you continue? How will you stop? Why can’t you be more like them? This pure soul next to you has completely exposed you as a fraud and like the song says: I’m now the lonely one. I felt all of this while staring up at the disapproval of a full, yet silent Los Angeles moon. Two hearts broken.”
Brian Bins’ elegant video casts two ballerinas, Holley Johnson and Amanda Rene, as ethereal forces moving with desperate grace around an anguished Indiana Bradley. Their movements, fluid and frenetic, evoke the turmoil of a soul on the verge of transformation. They whirl and leap, embodying the quiet chaos that stirs when life demands a change we’re not ready to face. Watching them conjures the fragile, unspoken truth of shifting fates—when the bonds that tether us lose their strength, and the ink of old promises fades into nothing. There’s a raw, restless beauty in their defiance, a reminder that even as one existence collapses, another waits, whether we resist it or not. The dance becomes a reckoning, a physical hymn to the inevitability of letting go and the painful promise of what lies ahead.
Watch the video for Silent Moon below:
Indiana Bradley’s post-punk pulse collides with the dust and drama of Americana, spinning tales born from Midwestern roots and wanderlust’s restless pull. A storyteller at heart, Bradley once collected human quirks like a prospector panning for truths, his journalist’s lens sharpened by a life crisscrossing continents. Now, those tales roar into his music, where big questions simmer—life, death, good, and evil, all tangled in a restless dance.
His baritone growl echoes with Nick Cave’s brooding fire and Johnny Cash’s grit, while driving guitars and pounding rhythms conjure the raw power of Joy Division meeting Fugazi. Backed by Eddie Curi, Lucas Aton, Andy Rehfeldt, and Daddy Priest, Bradley channels the wild urgency of The Gun Club and Killing Joke, delivering music that surges like a storm—relentless, untamed, unforgettable.
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